Decolonizing Ubud’s Art Scene: Agung Pramana’s Contemporary Take

Ubud, the heart of Bali’s artistic community, recently welcomed a thought-provoking exhibition by local artist Agung Pramana. Titled 'After Exotic 1931,' the installation at the Jogja National Museum challenges the colonial narratives that have long shaped our understanding of Balinese culture.

Agung Pramana, a 28-year-old Balinese printmaker, has crafted 336 cyanotype prints, each 20 by 15 centimeters, to evoke the 1931 Paris Colonial Exhibition. His use of this technique, discovered in 1842, adds a layer of historical and technical context, creating a dialogue between the past and present.

Through his works, Pramana highlights the exploitation of Balinese artifacts by colonial powers, questioning the portrayal of non-European cultures as exotic and primitive. He explains, 'I realized the issue isn’t just about tourists; it’s also about corrupt officials and weak regulations, and the attitude of the Balinese people.' This exhibition at ARTJOG 2026 aims to spark a deeper reflection on colonialism and its lasting impact.

For expats and digital nomads in Ubud, this exhibition offers a compelling insight into the ongoing struggle to reclaim and redefine Balinese culture. It’s a must-see for anyone interested in the intersection of art, history, and contemporary society in Bali.